It has been a long while since my previous post, I’m sorry for my followers…I have been very active on Instagram, posting life drawings daily en sometimes twice a day. It is a very fast and easy means of getting my art out in the world.
Yet I do like this blog, to extrapolate a bit about my motivations for creating my art and in general provide a bit more personal info than what can be done on Instagram.
One of the approaches I have used in my drawings the last few months is using compressed charcoal, conté a Paris (a sort of compressed pastel) on white and colored paper with a lot of shading in the drawing. I’d like to have more result per session so I am working with models who are fine with me taking a reference photo after I’m through with the sketch. This way a session results in lots of sketches which I can render later, using a photo for details (especially how her body/face is lighted).
Sizes are for the most part 50 x 70cm.
You can press the previews to open a slideshow/enlargement:
Choosing the lineair Schiele approach, eventually creating fifty drawings based on his style developed gradually out of me wanting to challenge myself with creating direct line drawings. It was time to focus on line quality (again).
Before, as you can see in the archive of this blog, I used a tonal, labor intensive sketching style. I grew frustrated with it because I could only create a few of those during a regular private session (three hours including breaks). Also that tonal approach became boring, I found it was too easy and too much based on the old fashioned academic style, notwithstanding the unusual poses we sought with the foreshortening and rare viewing angles.
While I really enjoyed how my models and I reconstructed poses drawn by Egon Schiele, it wasn’t easy. Not that life drawing session should be easy, but for models some poses were difficult to do and maintain. It was not for everybody. I occasionally needed to schedule a session with a specific muse who enjoyed exposed poses just like any other pose.
For me drawing this way, more or less reconstructing existing art in an unforgiving lineair style, was more taxing and tiring than I could have imagined.
So I have moved on from the Egon Schiele project and am currently working on larger, fast drawings with an expressive line and (in part afterwards) lots of black and shading, sometimes incorporating a prop by asking my muse to experiment posing with it. The result will eventually be shown here, of course.
Nevertheless here are some drawings which were created during those Schiele sessions but are not actual reconstructions of drawings of his.
Models are creative and love to add something of their own to a session. So these artworks are our go at working “in the spirit of” Egon Schiele. Hope you enjoy.